Many things.
No Foldback. No Manual Tapering.
Key click filter installed.
Chorusing and vibrato are implemented differently.
Percussion implemented differently.
Here's a good place to start.
http://www.gietek.me.uk/index.html
Hey
Can somebody tell me what makes the B3 sound different form an L100
Many things.
No Foldback. No Manual Tapering.
Key click filter installed.
Chorusing and vibrato are implemented differently.
Percussion implemented differently.
Here's a good place to start.
http://www.gietek.me.uk/index.html
Ok Foldback have nothing to do whit the sound.
Manual Tapering what is that...
Yeah and that doesn't change the sound?
Rodgers, Conn, Hammond
Here you are Niels,[top]What makes the L-100 sound so different from the B3 ?
http://www1.tripnet.se/~flm/hammond/diff.htm
Cheers,
Jussi
E-333 (modified)
Leslie 147 (surprise, not modified...)
Previous:
T-200 (modified and sold)
T-500 (modified and sold)
Dude.... maybe there is a language barrier here but it's usually not best to ask for assistance then answer with "Ok Foldback have nothing to do whit the sound".
Usually, terse replies like that don't exactly foster cooperation.
Again, maybe a language thing but do try to propose/answer/ask questions in a polite manner. Might help?
So anyway...
Foldback is the re-use of TONES (every key can have 9 tones mixed in!) on certain keys, usually lower or upper keys
Which tones are assigned to each key and how MUCH of that tone is mixed in for that key DETERMINES the overall tone of that key.
They do this by using 9(tones) x 61(keys) = 549 resistive wires on a B3.
The raw tones that are assigned to each L or T keyboard is slightly different than a B3 (foldback)
A B3 may not have the same 9 raw tones as another model in the lowest octave.
The weighting/mixing of the tones that are assigned to each L or T keyboard is slightly different than a B3 (tapering)
In order to change the factory scheme of foldback and tapering for any organ can involve anywhere from 11 to 529 wire changes.
Each wire has a specifically chosen resistive value.
Politely chat with Brendon about how this can get very messy.
Best regards.
Jeremy H.
B2, Chopped B3, Chopped RT-2, Modded E-112, Baby B Clonewheel
145 Leslie w/Midi
145 Leslie
Custom 25W Leslie
Sisme (Italian) Leslie
Lots of Synths
I think that it has to be something other than foldback because a M3 and Leslie sounds very close to a B3 and it doesn't have it. I have seen on you tube that if you add foldback to the M3 you can play left hand bass. This iis the only reason I can see for adding foldback to the M3. I once owned a T312 and with a external Leslie it came close to a B3. In my opinion, and I could be wrong, its all in the amplification. But if you want a spinet that sounds like a B3, get a M3.
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