I seem to recall some serious polyphonic pitchbending on 'Chest Fever'.......Garth Hudson is a genius.'Shape I'm In' also features this effect. A Lowery Festival through some 'tallboys'.........
Todd in Cheesecurdistan - www.blueolives.com
'63 B-3 + HL-722 + Trek II reverb, Schulmerich Chime-A-Tron
'62 A-100 + 147RV
'70 X-66 + Series 12 tone cabinet
'61 A-100 + (1)45 (converted, incl. inverted lower motor stack)
XK-1 + XM-47 Leslie adapter into various Leslies, Yamaha S80, Korg Triton Classic
I seem to recall some serious polyphonic pitchbending on 'Chest Fever'.......Garth Hudson is a genius.'Shape I'm In' also features this effect. A Lowery Festival through some 'tallboys'.........
1956 M3, 130 custom leslie, 51 Leslie, 860 Leslie with Preamp, S08 Yamaha and K2000S, Young Chang 85 key spinet and Korg SV-1 73less Hammonds, downsized they found a good home
The least known and unrecognized genius besides Garth,was certainly Robbie King.That's him on the intro of 'Stop In The Name of Love',Supremes 1965.He was 16.Known best for his Hometown Band
work on 'Flying' and if you haven't heard his solo on 'I'm Ready' by the 'Hometown Band' you should youtube it to check it out.BTW that's my long time friend/drummer Geoff Eyre on the 70's stuff.
The president of Roland built a 'one off' 2x61 manuals and 25 pedals for Robbie.It had 40 drawbars and 20 presets.That I know of,the only one ever built.He used two full sized Revo cabs with it.The best.
Hi. I am new to the forum here, but I own that 'plastic organ', and it is indeed a Yamaha YC-30 with Portamento Strip. Donald played the portamento strip with all voices on for the second solo, and the weird pitch thing is a strange feature on the organ. It has a manual vibrato effect that is activated by wiggling your fingers sideways while playing. You can do this slowly and it sounds like an off-center LP. I am going to be selling this instrument soon.
YC-30_1.jpg
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